ISSN 1546-9212

Slayage 8.1 [29], Spring 2010

Edited by David Lavery and Rhonda V. Wilcox

Renee St. Louis and Miriam Riggs (U California San Diego)

• “‘And Yet’: The Limits of Buffy Feminism”
  

Alyson Buckman (California State University, Sacramento)

• “‘Go ahead! Run away! Say it was Horrible’: Dr. Horrible‘s Sing-Along Blog as Resistant Text”
  

A. Abby Knoblauch (Kansas State U)

• “From Burke to Buffy and Back Again: Intersections of Rhetoric, Magic, and Identification in Buffy the Vampire Slayer“
  

Jesse James Stommel (U of Colorado)

• “I’m Not a Dead Body; I Just Play One on TV: Buffy the Vampire Slayer and the Performativity of the Corpse”
  

Kirsten Stevens (Monash U, Australia)

• “Meet the Cullens: Family, Romance, and Female Agency in Buffy the Vampire Slayer and Twilight“

Slayage 8.2-3 [30-31], Summer/Fall 2010

Special Issue, Fantasy Is Not Their Purpose: Joss Whedon’s Dollhouse

Guest Edited by Cynthea Masson and Rhonda V. Wilcox

Cynthea Masson (Vancouver Island University) and Rhonda V. Wilcox (Gordon College) 

• “‘Fantasy . . . Is Their Business, But That Is Not Their Purpose’: Introduction to the Slayage Special Issue on Dollhouse“

Cynthea Masson (Vancouver Island University)

• “Who Painted the Lion?—A Gloss on Dollhouse’s ‘Belle Chose'”
  

K. Dale Koontz (Cleveland Community College)

• “Czech Mate: Whedon, Čapek, and the Foundations of the Dollhouse“
  

Hugh H. Davis (St. Mary’s School)

• “‘The Drama Is In Us’: Pirandellian Echoes in Dollhouse“

Renee St. Louis and Miriam Riggs (U California San Diego)

• “‘A Painful, Bleeding Sleep’: Sleeping Beauty in the Dollhouse“
  

Bronwen Calvert (Sunderland U, The Open U, UK)

• “Mind, Body, Imprint: Cyberpunk Echoes in the Dollhouse“
  

Tom Connelly (Independent Scholar) and Shelley S. Rees (U of Science and Arts of Oklahoma)

• “Alienation and the Dialectics of History in Joss Whedon’s Dollhouse“
  

Julie L. Hawk (Georgia State University)

• “Hacking the Read-Only File: Collaborative Narrative as Ontological Construction in Dollhouse“
  

Sherry Ginn (Rowan-Carrabus Community College): 

• “Memory, Mind, and Mayhem: Neurological Tampering and Manipulation in Dollhouse“
  

Madeline Muntersbjorn (U of Toledo)

• “Disgust, Difference, and Displacement in the Dollhouse“
  

Rhonda V. Wilcox (Gordon College)

• “Echoes of Complicity: Reflexivity and Identity in Joss Whedon’s Dollhouse“
  

Lisa K. Perdigao (Florida Institute of Technology)

• “‘This One’s Broken’: Rebuilding Whedonbots and Reprogramming the Whedonverse”

Slayage 8.4 [32], Winter 2011

Edited by David Lavery and Rhonda V. Wilcox

Catherine Coker (Texas A & M University)

• “That Girl: Bella, Buffy, and the Feminist Ethics of Choice in Twilight and Buffy the Vampire Slayer“
  

Rob Cover (University of Adelaide)

• “Bliss and Time: Death, Drugs, and Posthumanism in Buffy the Vampire Slayer“
  

Len Geller (Wells College)

• “‘Normal Again’ and ‘The Harvest’: The Subversion and Triumph of Realism in Buffy“
  

Lisa K. Perdigao (Florida Institute of Technology)

• “‘I hear it’s best to play along’: The Poststructuralist Turn in Buffy the Vampire Slayer“
  

Rhonda Wilcox and David Lavery 

• “Slayage at Ten: The Danger of Birthdays”

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