ISSN 1546-9212

Slayage 10.1 [35], Winter 2013

Edited by David Lavery and Rhonda V. Wilcox

Taylor Boulware (University of Washington)

• “‘I Made Me’: Queer Theory, Subjection, and Identity in Dollhouse“
  

Jeffrey Bussolini (City University of New York)

• “Television Intertextuality After Buffy: Intertextuality of Casting and Constitutive Intertextuality”
  

Kelsie Hahn (New Mexico State University)

• “Lady Killer: Death of the Feminized Body in the Whedonverse”
  

Andrew F. Herrmann (East Tennessee State University)

• “‘C-can we rest now?’: Foucault and the Multiple Discursive Subjectivities of Spike”
  

Tiffany Kristin Lee (University of California at Berkeley School of Law)

• “The Justice Systems of Slayers and Vengeance Demons: Prosecutorial Discretion in Buffy the Vampire Slayer“

Erma Petrova (University of Ottawa)

• “‘I’m declaring an emergency’: Leadership and the State of Exception in Buffy the Vampire Slayer“

Slayage 10.2/11.1 [36-37], Fall 2013/Winter 2014

Special Double Issue, “We Are Not Who We Are”: Critical Reflections on The Cabin in the Woods (2012)

Guest Edited by Kristopher Karl Woofter and Jasie Stokes

Kristopher Karl Woofter (Dawson College/Concordia University) and Jasie Stokes (University of Louisville)

• Once More into the Woods: An Introduction and Provocation

Erin Giannini(University of East Anglia)

• “Charybdis Tested Well with Teens”: The Cabin in the Woods as Metafictional Critique of Corporate Media Producers and Audiences

​
​Jerry D. Metz, Jr.

• What’s Your Fetish?: The Tortured Economics of Horror Simulacra in The Cabin in the Woods (2012)

A. P. Nelson (Montana State University)

• Trick ‘R Treat (2007), The Cabin in the Woods and the Defense of Horror’s Subcultural Capital

Gerry Canavan (Marquette University)

• “Something Nightmares Are From”: Metacommentary in Joss Whedon’sThe Cabin in the Woods

L. Andrew Cooper (University of Louisville)

• The Cabin in the Woods and the End of American Exceptionalism

Joe Lipsett (University of Newcastle, Australia)

• “One for the Horror Fans” vs. ”An Insult to the Horror Genre”:  Negotiating Reading Strategies in IMDB Reviews of The Cabin in the Woods

Michael Starr (The University of Northampton)

• Whedon’s Great Glass Elevator: Space, Liminality and Intertext in The Cabin in the Woods

Katherine A. Wagner (University of Louisville)

• Haven’t We Been Here Before?: The Cabin in the Woods, The Horror Genre, and Placelessness

Rick McDonald (Utah Valley University)

• Sacred Violence and The Cabin in the Woods

---

Slayage (ISSN 1546-9212) is an open-access, anonymized peer-reviewed, MLA-indexed journal and a member of the Directory of Open Access Journals (DOAJ).  All content is freely available in downloadable full-text PDF format. There are no submission or publication fees.

Click here for submission guidelines.